Caribbean Evening Limbo Dance

Caribbean Evening Limbo Dance. Steelasophical is your number one choice and one stop shop for musical entertainment and the best in interactive activities for your Caribbean theme party.

Our Steel drum band, mobile dj, limbo by design professional kit and compere will compliment any party!!

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Caribbean Evening Limbo Dancing
Caribbean Evening Limbo Dance steelpan steelband steelasophical
Caribbean Evenings Limbo Dance
Caribbean Evening Limbo Dancers steelband
Steelasophical Caribbean Evening Limbo Dance
Caribbean Evening Limbo Dance

Caribbean Evening Limbo Dance

Caribbean Evening Limbo Dance steelpan band

Caribbean Evening Limbo Dance steelpan

Caribbean Evening Limbo Dance Wycombe

Caribbean Evening Limbo Dance London

Caribbean Evening Limbo Dance Essex

Caribbean Evening Limbo Dance Manchester

Caribbean Evening Limbo Dance Buckinghamshire

Caribbean Evening Limbo Dance Berkshire

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The Límbó (Limmm-Bó) is a unique dance and is also known as the “Under Stick Dance”.

The limbo dance, originally a ritual performed at ‘wakes’ (funeral dance which maybe related to African legba or legua dance) in Trinidad from the mid or late 19th century does not appear to have any roots in West Africa where most African traditions within the diaspora have emerged.

It is believe, that the people of Trinidad during this dance portrayed going down in the hold of a slave ship which carried them off into slavery.

No matter how they twist or turn squirmed or arched they would go deeper and deeper, some would make it, some would not. The dextrous position had to be retained because the space between the upper deck and floor was narrow, designed for packing and not standing, hence it basically they were going into Limbo.

Today limbo refers to a dancer moves to a rhythm and dances under a stick, held up by a person on each end of the stick or a stand, without knocking or touching the stick. If the dancer is successful he must repeat this again and again with the bar being lowered another “notch” each time.

Each dancer does this until there is only one left standing who has not touched the bar, fallen down, laid on the floor or used his/her hands to keep balance. On-lookers as well as other dancers would clap and cheer (or egg on) and sing while the dancer tries to go under the stick. This dance was very popular at beach parties.

In the mid 1960’s a Fire limbo was done as a stage act as well as a few contests were thrown, but legal hazards made this cease publicly. The Fire Limbo is a normal Limbo with the exception of the stick, it is set on fire burning while the dancer performs, with occasionally the dancer having a lighted torch, blowing alcohol from the mouth to the torch for an explosive bursts of flame.

The Fire Limbo was not done socially, and was performed by professionals and should not be tried at home for obvious reasons. Eventually local entertainers adapted and transformed the ritual into the stage performance as it is today, spreading it throughout the region.

Holly Betaudier and Julia Edwards are both credited for its development as an artistic dance. Up to the 1950’s and maybe later the ritual known as ‘limbo’ was still practised at wakes in rural Trinidad and Tobago.


The limbo is a dance in which participants have to cross under a stick by bending backward at the waist. The stick is lowered a notch each time every one passes under it, and those who touch the stick are eliminated from the dance.

Time Frame

  • The limbos dates back to the mid to late 1800s in Trinidad. It achieved mainstream popularity during the 1950s.

    *The Limbo dance originated as an event that took place at wakes in Trinidad and Tobago, and was popularized by Limbo Dance with Steelasophical pioneer Julia Edwards (known as the First Lady of Limbo) and her company, which appeared in several films, in particular “Fire Down Below”1 (1957), and toured internationally in the 1960s and beyond.

    A film “Julia and Joyce”2 was released in 2010 by Trinidadian/American dance researcher/choreographer Sonja Dumas, and features the evolution of the Limbo and the contribution of Julia Edwards to the explosion of its popularity.

    *Source: wikipedia

Cultural Significance

  • The version of the limbo performed in nineteenth century Trinidad was meant to symbolise slaves entering the galleys of a slave ship, or a spirit crossing over into the afterworld, or “limbo.”


  • Contrary to popular belief, the limbo did not originate in Hawaii.

Popularity in Music

  • Jamaican music recorded in the 1950s helped to popularize the limbo. Songs such as “Limbo” by Lord Tickler and the Calypsonians, and “Limbo” by Denzil Laing and the Wrigglers were ready-made for limbo dancing. In 1962, Chubby Checker released the song “Limbo Rock.”

The Limbo Today

  • Today the limbo remains a popular dance, particularly at Caribbean resorts and hotels, as well as on cruise ships, where a prize is commonly awarded to the last dancer to successfully cross under the stick.

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